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Please cite the source if any of you happen to extract any information from this site; Aiman and I have sourced for information and research with hopes to make this mini-exhibition a successful one. Plagiarism is not allowed, just cite the source(s) according to the American Psychological Association (APA) format.
A. Samad Said is a
renowned writer who had contributed a lot in Malaysian Literature. He had
written a collection of poems, short stories, novels, and even plays. He
described his works as a record of the past and also a type of measurements of
a civilization of the Malay race. As a man of literature, all of his works are
written in Malay language but not in a normal way. He uses an Indonesian
variation of a language, which has more impact as it has a sense of aesthetics
from the rhythm and pace of his writings (Nor Azah Abd Aziz, 2005).
For his poems, A.
Samad Said focuses on the form and the structure of his poems. Most of his
poems rhyme at the end of each line such as in the poem “Gagak Parit”. His
writing also has influences of words from other languages. He borrows words
from other foreign languages to further boost the effects of his poems. For
example, the word “linka” which is the the Czech and Slovakian
word for “line”, “chandni” (Hindi word for moonlight), “kaudu” (Estonian
word for oral), “qalbu” (Arabic word for heart), “Ramadhan” (Arabic word for
the fasting month) and “redha”, the Arabic word for “completely agreeing”. The
most interesting thing about his poems is that each line of his poem has the
same number of syllables and he mentioned during our interview that he will not
publish the poem until he is satisfied with the number of syllables and the
rhymes. This can be seen in his latest poem, “Elergi Suria Dan Bumi”, where the
lines in the poem have exactly fifteen syllables.
As for his novels, he
uses his own life experience as a subject and also a technique used in his
novels. He uses his own experience to make the writing more realistic and
authentic. This also augments his way of writing of placing anti-hero
characters in his writings due to the influences of “realism” (A. Samad Said,
1980). This sort of writing comes from his favourite authors who are mostly
English, Russian, and German writers. This also shows that he does not want to
use the typical Malaysian genre of writing styles as he loves to experiment and
this can be clearly seen in his first novel, “Salina”.
The themes used for
his writings are mostly the suffering and corruption that he felt during the
Second World War. After he stopped working for the media, he started writing
novels and poems which uses the theme prostitution and also his understanding
in various philosophies (A. Samad Said, 1980). A. Samad Said also uses
symbolism to portray how the characters in his writings felt as he wants to let
his reader feel how he expresses his feeling. This can be seen in one of his
play, T. Pinkie’s Floor, as he writes the dialogue,
“I
am an ancient scholar, I only hear the rustling winds telling the clouds to
give me answers with its rain”
to show that there is a gap inside the
character’s heart and waited for something to fill it. The reason why he uses
symbolism in his writing is mainly because he wants the readers to feel exactly
the same emotion the characters feel. This also enables the audience to not
only understand his writings but also makes it more appealing.
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